Yuma's Online Art Gallery, art by deb welcomes artist Janice Barnes a member of Village Art Gallery as she joins us in sharing her paintings on the world wide web. Good luck Janice.




Village Art Gallery is a non profit art gallery in Yuma, Arizona. When you purchase artwork from a  member of Village Art Gallery the profits help school students get the art supplies they need to participate in shows throughout the year.

Yuma’s Online Art Gallery,art by deb features local artists like Janice Barnes a member of Vilage Art Gallery. You can support your local artists by visiting Village Art Gallery online or at the gallery itself.

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Information about Impasto

In English, the borrowed Italian word impasto most commonly refers to a technique used in painting, where paint is laid on an area of the surface (or the entire canvas very thickly, usually thickly enough that the brush or  painting knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture, the paint appears to be coming out of the canvas.

The word impasto is Italian in origin; in that language it means "dough" or "mixture"; the verb "impastare" translates variously as "to knead", or "to paste". Italian usage of "impasto" includes both a painting and a potting technique. According to Webster's New World College Dictionary, the root noun of impasto is pasta, whose primary meaning in Italian is paste. Oil Paint is most suitable to the impasto painting technique, due to its thickness and slow drying time.Acrylic paint  can also be impastoed. Impasto is generally not possible in watercolour or tempera without the addition of thickening agent due to the inherent thinness of these media. An artist working in pastels can produce a limited impasto effect by pressing a soft pastel firmly against the paper.

Impastoed paint serves several purposes. First, it makes the light reflect in a particular way, giving the artist additional control over the play of light on the painting. Second, it can add expressiveness to the painting, the viewer being able to notice the strength and speed applied by the artist. Third, impasto can push a painting into a three dimensional sculptural rendering. The first objective was originally sought by masters such as Rembrandt, Titian, and Vermeer to represent folds in clothes or jewels: it was then juxtaposed with more delicate painting. Much later, the French Impressionists created entire canvases of rich impasto textures. Vincent Van Gogh used it frequently for aesthetics and expression.Abstract Expressionists such as Hans Hofman and Willem de Kooning also made extensive use of it, motivated in part by a desire to create paintings which dramatically record the "action" of painting itself. Still more recently,Frank Auerbach has used such heavy impasto that some of his paintings become almost three-dimensional.

Because impasto gives texture to the painting, it can be opposed to flat, smooth, or blending techniques.

Source: http://en.wikipedia.org/wiki/Impasto

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